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Ratsie Setlhako: The Timeless Voice of Botswana’s Soul

patrickonyekakogwu

Botswana’s musical heritage is rich, but few names command as much respect as Ratsie Setlhako. Known as the master of the segaba, a traditional Tswana single-stringed violin, Setlhako remains one of Botswana’s most legendary folk musicians. His music was more than entertainment—it was a living archive of Tswana wisdom, storytelling, and social commentary.

Photo source: X
Photo source: X

Born in the early 20th century, Ratsie Setlhako’s rise coincided with Botswana’s transition from colonial rule to independence. His music, played with the hauntingly expressive segaba, captured the struggles and triumphs of ordinary people. His lyrics, often filled with wit, humor, and profound truths, addressed themes of morality, hard work, and community values. Through his songs, he preserved Tswana oral traditions, ensuring that proverbs and folk tales were passed down to future generations.

Photo source: Botswana Guardian
Photo source: Botswana Guardian

Setlhako was a staple at national celebrations, performing for Botswana’s first president, Sir Seretse Khama, and other dignitaries. His ability to merge deep wisdom with everyday humor made his performances both enlightening and highly entertaining. Unlike many artists of his time, he remained committed to traditional music, resisting the allure of Western styles that were sweeping across Africa.


Despite his fame, Setlhako lived modestly. His music was never about commercial success but about cultural preservation. He performed with an unmatched passion that resonated with the young and old alike. Even after his passing in 1976, his influence lingers, with modern musicians drawing inspiration from his work.


Today, Botswana continues to honor his legacy. His songs are still played on radio stations, and his life remains a symbol of Botswana’s rich cultural identity. In an era where globalization threatens indigenous art forms, Ratsie Setlhako’s music reminds Botswana and the world of the beauty and wisdom embedded in African traditions. He was not just a musician; he was a cultural custodian, a poet, and the voice of a people who found their identity in the rhythm of his segaba.

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